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Skære

Skære

Skære

Type Design

2026

Project Overview

Skære is a modular display typeface developed across multiple design courses at Community College of Denver and MSU Denver. Inspired by the geometric forms of mid-century modern furniture, the visual language of 1960s and 1970s psychedelic rock album artwork, and the proportions of woodworking, the typeface explores how a consistent set of rules can produce a distinctive and expressive character system.

The design is built around repeated geometry, tight curves, stencil-like cuts, and proportional relationships that give the characters a shared visual structure. Initially developed through analog sketching and digital refinement, the typeface was later expanded beyond its original uppercase and lowercase sets to include numerals and basic punctuation. This progression required revisiting the original construction rules and refining the existing characters to create a more complete and consistent font.

Process

Inspiration

The visual direction draws from the clean geometry and controlled proportions of mid-century modern furniture, alongside the expressive forms of psychedelic rock album artwork from the 1960s and 1970s. These influences informed the typeface's balance of rigid construction and distinctive character. As the design developed, connections to retro-futuristic interfaces and video game typography provided an additional context for its visual language.

Inspiration

The visual direction draws from the clean geometry and controlled proportions of mid-century modern furniture, alongside the expressive forms of psychedelic rock album artwork from the 1960s and 1970s. These influences informed the typeface's balance of rigid construction and distinctive character. As the design developed, connections to retro-futuristic interfaces and video game typography provided an additional context for its visual language.

Analog Development

Initial character development focused on hand-drawn uppercase forms, establishing a consistent set of proportions and geometric relationships. Letters were developed in groups based on shared characteristics, allowing existing shapes and structural conventions to inform new characters. Inspired in part by woodworking measurements, this process established the foundational rules that would guide the typeface's construction and visual consistency.

Analog Development

Initial character development focused on hand-drawn uppercase forms, establishing a consistent set of proportions and geometric relationships. Letters were developed in groups based on shared characteristics, allowing existing shapes and structural conventions to inform new characters. Inspired in part by woodworking measurements, this process established the foundational rules that would guide the typeface's construction and visual consistency.

Digital Production

The hand-drawn characters were translated into vector forms in Illustrator, where proportions, curves, and construction details were refined before expanding the typeface into uppercase and lowercase sets. A later phase revisited these forms under revised design conventions, extending the character set to include numerals and basic punctuation. Glyphs was then used to develop spacing and kerning relationships and export the completed font as an OpenType file.

Digital Production

The hand-drawn characters were translated into vector forms in Illustrator, where proportions, curves, and construction details were refined before expanding the typeface into uppercase and lowercase sets. A later phase revisited these forms under revised design conventions, extending the character set to include numerals and basic punctuation. Glyphs was then used to develop spacing and kerning relationships and export the completed font as an OpenType file.

Promotional Booklet

The promotional booklet provided an opportunity to explore the typeface beyond its construction and demonstrate its expressive potential through composition and application. Rather than functioning solely as a conventional specimen, the publication celebrates the geometry, proportions, and distinctive forms of Skære. Its layouts use typography, supporting text, and visual arrangements to demonstrate the character of the typeface as a display face.

Promotional Booklet

The promotional booklet provided an opportunity to explore the typeface beyond its construction and demonstrate its expressive potential through composition and application. Rather than functioning solely as a conventional specimen, the publication celebrates the geometry, proportions, and distinctive forms of Skære. Its layouts use typography, supporting text, and visual arrangements to demonstrate the character of the typeface as a display face.

Outcomes

The project resulted in a completed display typeface with uppercase and lowercase characters, numerals, and a basic set of punctuation, exported as a usable OpenType font. The accompanying promotional booklet extends the project into publication design, demonstrating the typeface's visual character and potential applications.

Expanding the original design into a more complete font required more than adding new characters. Existing forms had to be revisited and refined to maintain consistency within the revised proportions and construction rules. This process reinforced the relationship between individual character design and the larger typographic system, demonstrating how a set of visual conventions can provide both structure and flexibility as a typeface develops.

Want to work with me?
Find me on

512.418.6922

jjense80@msudenver.edu

Designed & Developed

by Jonathan Jensen

All Rights Reserved,

J. Jensen Creative © 2026

Want to work with me?
Find me on

512.418.6922

jjense80@msudenver.edu

Designed & Developed

by Jonathan Jensen

All Rights Reserved,

J. Jensen Creative © 2026